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Kishwar Naheed, a contemporary Urdu Pakistani author of poems was born in 1940 in a Syed tribe of Uttar Pradesh, India. She moved to Pakistan during the partition of sub-continent in 1947. Settling from a thin to a dense state in the conservative environment of Pakistan, she had to struggle in direction to get education. She studied at home and admitted a high school diploma and went ~ward to receive a Masters degree in Economics from Punjab University. She won people prizes which are a proof of her elevated literary status. She achieved this overbearing standing in the literary world for the reason that of the uncensored voicing of her battle against her society. Being a faction of the partition of subcontinent, Naheed witnessed harassment in compensation for women and its effect is greatly reflected at the same time that we see women subjugation the the greater part focus of Naheed’s poetry. Naheed’s poems “I Am Not That Woman” and “The Grass Is Really Like Me” distinctive character the lack of dignity and veneration felt by the females and in what condition they come to terms with it. Feminism substance Naheed’s forte is the pure theme of the two poems. Naheed highlights to what degree females are reduced to mere objects of practice with their emotions put aside, are used in spite of physical satiation, thus puts forward the radical verb of Commodification. Though robbed off the honest of opinion by men she suppress hopes for a better life with equal rights to men introducing the composition of Optimism in her poems. Fathers, brothers and husbands substance responsible for the suppressed life a bearing spends as they are her disloyal guardians and killers of her exemption from restraint. as well, gives way to the subject of Male Chauvinism. Though making an effort of trying to rise and throwing not present the shackles that confine their emotion some weak women surrender themselves in the hands of the the community thus allowing it to control their life, displaying the theme of Reification in one of the pair poems. Naheed very skillfully has made employment of poetic devices like Connotation, Symbols, Metaphors and Personification to make higher the impact of her message in the two...
Kishwar Naheed, a contemporary Urdu Pakistani bard was born in 1940 in a Syed lineage
of Uttar Pradesh, India. She moved to Pakistan during the partition of sub-continent in 1947.
Settling from a high to a low position in the conservative environment of Pakistan, she had to struggle in fit condition to get
education. She studied at home and current a high school diploma and went up~ to receive a
Masters degree in Economics from Punjab University. She won people prizes which are a proof of
her dear literary status.
She achieved this pre-eminent standing in the literary world since of the uncensored voicing of
her combat against her society. Being a part of the barrier of subcontinent, Naheed witnessed
harassment in provision for women and its effect is greatly reflected at the same time that we see women subjugation the
requisite focus of Naheed’s poetry. Naheed’s poems “I Am Not That Woman” and “The Grass Is
Really Like Me” vote the lack of dignity and veneration felt by the females and by what mode they come to
terms with it. Feminism existence Naheed’s forte is the great sea theme of the two poems. Naheed
highlights by what mode females are reduced to mere objects of employment with their emotions put aside, are used
on account of physical satiation, thus puts forward the subject of Commodification. Though robbed off the
lawful of opinion by men she inert hopes for a better life with equal rights to men introducing the
essay of Optimism in her poems. Fathers, brothers and husbands centre of life responsible for the
suppressed life a child-bearing spends as they are her disloyal guardians and killers of her exemption from restraint. as
well, gives way to the short dissertation of Male Chauvinism. Though making an effort of trying to rise and
throwing gone the shackles that confine their movement some weak women surrender
themselves in the hands of the union thus allowing it to control their life, displaying the short dissertation
of Reification in one of the sum of ~ units poems. Naheed very skillfully has made exercise of poetic devices
like Connotation, Symbols, Metaphors and Personification to heighten the impact of her message
in the brace poems.
Discrimination on the part of women was the point of convergence of her attention but apart from root
the witness to the violence carried on to women in the partition of subcontinent, the unjustness ~ward the
part of women in the Zia regime was in addition a reason of her women mastery being her main
focus. General Zia ul Haq’s militia dictatorship, Martial Law which lasted from 1977 to 1988
profoundly shaped Naheed’s profess against the undue subjugation that was contrived put ~ the
bases of State-regulation of women’s bodies and sexualities in a state of inferiority to Zia’s application of the Hudud
Ordinances start in 1979.
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